Subtitle: A Juxtaposition of Art During the French Revolution and after, and before the Revolution

Estimated reading time: 3 minutes, 56 seconds. Contains 787 words

Growing up in France, I first encountered revolutionary art through the National Anthem, La Marseillaise. As an immigrant Russian child, I didn’t fully grasp its meaning at first. Imagine a child singing lines like "Égorger vos fils, vos compagnes!" (To slit the throats of your sons and wives!) and "L’étendard sanglant est levé" (The bloody banner is raised). This call for bloodshed embodies the violent intensity of revolutionary fervor (boiling passion). As I reflect on this, I see a stark contrast to the ideals represented in uplifting masterpieces like the Pérussis Altarpiece, which symbolize a different kind of transformation and inspiration.

From Revolutionary Art to Uplifting Masterpieces:

Revolutionary Fervor and Its Consequences

These conflicting emotions capture the intensity of revolutionary fervor and the often misguided use of violence to drive change. La Marseillaise embodies resistance against oppression. It also symbolizes the harsh and violent methods of the French Revolution. It is an anthem of Revolution that overlooks the broader historical essence of France, dating back to its official formation in 843 AD.

The radical ideas of the French Revolution had far-reaching effects. They inspired later revolutions, like the October Revolution in Russia and the Chinese Cultural Revolution. These revolutions caused immense loss and suffering. The October Revolution led to an estimated 7 to 12 million deaths and further repression by the Soviet regime. The Cultural Revolution in China resulted in about 1.5 to 2 million deaths and severe societal disruption. It also led to the largest communist regime, which still oppresses its people today.

The October Revolution directly impacted my family history, causing severe suffering and persecution for my ancestors. Many details remain unknown because discussing them could lead to death or suffering.

The Impact of Political and Philosophical Thought on Art

Reflecting on these outcomes, I struggle to admire Delacroix’s Liberty Leading the People as I once did. Still, I’m grateful to Delacroix for inspiring me to travel-sketch, and use walnut ink and reed pens.

Art, for me, should inspire deep, internal transformation and align with values that promote genuine change. This perspective resonates with Gandhi’s philosophy of ahimsa (nonviolence) and satyagraha (truth force). Gandhi believed nonviolent resistance was the most powerful way to achieve change. It fosters inner transformation, leading to lasting, positive impact.

The Value of Positive Artistic Expressions

Reflecting on these ideas reveals the profound impact of art that inspires and uplifts, promoting values of peace, empathy, and constructive change. Art that embodies these principles fosters meaningful transformation and contributes to a more harmonious world. In light of these principles, art that inspires and uplifts has more power than we realize.

The Pérussis Altarpiece, recently seen at The Met, is an example of art that resonates with positive themes. Created in 1480 by the Circle of Nicolas Froment, it features the adoration of the empty cross on Golgotha. This unusual subject was commissioned for Aloisius Rudolphe de Pérussis, as indicated by the family coat of arms and motto on the side panels. One kneeling donor, shown with Saints John the Baptist and Francis, may be Aloisius himself.

Originally from Florence, the Pérussis family sought refuge in Avignon after being exiled by Cosimo de’ Medici in 1434. The altarpiece combines the traditional gold ground seen in earlier devotional art with a detailed view of Avignon, blending spiritual and local elements. This combination highlights the altarpiece's historical and cultural significance.

From Revolutionary Art to Uplifting Masterpieces:

Symbolizing Transformation and Inspiration

The Pérussis Altarpiece exemplifies art's capacity to uplift and inspire. Unlike revolutionary art, which often reflects turmoil and conflict, this altarpiece is a testament to a different era. Avignon, having recovered and prospered after the challenges of the previous century, became a center of cultural and religious significance. During the early 14th century, the city evolved into a major hub, hosting six successive popes and experiencing remarkable growth.

The Pérussis Altarpiece, created in 1480, reflects the stability and flourishing of Avignon's later years. Its subject, the adoration of the empty cross on Golgotha, combines traditional gold ground with a detailed view of the city, highlighting the blend of spiritual and local elements. This art piece stands in contrast to the revolutionary themes of conflict and upheaval, serving as a reminder of the diverse ways art can promote peace and positive change.

Here's a photograph of me taken 20 years ago, with the historic Pont Saint-Bénézet in the background.

For more on the intersection of historical events and art, read my recent post on the Diadumenus statue and its connection to the Paris 2024 Olympics: Diadumenus and Olympic Legacy: Ancient Athleticism.